The Selfish Giant was released on 25th October
2013 with a star rating of 7.4 lasting 91 minutes with an age rating of 15. Clio
Barnard both directed and wrote the film with the film starring Connor Chapman,
Shaun Thomas and Sean Gilder.
Making
The Selfish Giant is a tale about a 13 year old called
Arbor and his best friend Swifty. Arbor
is foul-mouthed and has anger issues. They were excluded from school and were
outsiders in their own neighbourhood, the two boys meet Kitten who is a local scrap
dealer and the boys begin to collect scrap metal for him using a horse and
cart. However, when Arbor challenges Kitten by becoming greedy and dishonest
the tension starts to build. This leads to tragic event which transforms them
all. It emphasises unemployment life and why there is ferocious competition in
the scrap business, with the boy’s mothers struggling with rent the police and
social services are continually turning up at their doors. They are unable to
pay their utility bills and are reduced in to selling their own furniture to
enable them to survive. This emphasises the smack head and drunkards in which
violent is undertaken, Arbor represents this in the playground and most
terrifyingly in Kitten’s yard.
Barnard does look for humour and lyricism, however, the
boys are an odd couple, one is small and scrawny and the other is very big but
they do stick up for each other.
The film is inspired by the Victorian fairy-tale of the
same name by Oscar Wilde. The characters of The Selfish Giant are based on
people Barnard met which researching The Arbor in and around Buttershaw in an
estate in Bradford. The research involved Barnard meeting a 14 year old boy
called Matty who had been scavenging mental to sell to scrap dealers from the
age of 11. Matty had built a makeshift stable in his mum’s council house garden
which is where is kept his horse who would pull his cart for the scrapping.
Matty could make up to £200 a day when scrap prices are high but his business
was threatened when the local council threatened his family’s tenancy is the
stable wasn’t taken down. By his research Barnard combined these two
contradictory genres, fairy tales and social realism to make the tale of The
Selfish Giant.
This trailer gives an insight of the semantics within The Selfish Giant.
The Guardian referred Barnard’s film as heartfelt and
passionate, fluent and supremely confident. The Telegraph connoted Barnard’s
film as so skin-prickling alive so it does make the audience want to watch it.
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